Director: Lasse Hallström
Writer: Simon Beaufoy, Paul Torday (novel)
Cast: Ewan McGregor, Emily Blunt, Kristin Scott Thomas
Salmon Fishing in the Yemen is one of those films that could easily be a metaphor for its own production. You can imagine the guy pitching it: “I want to make a film about a Sheikh who tries to bring salmon fishing to the Yemen?” “A film about salmon fishing in the Yemen?! That’s absurd! How? Why?” “Purely because it’s absurd. That’s the beauty of it. It will work, have faith. Just to make sure, we’ll throw in a complicated romantic quadrangle, a just-about-still-topical political angle and enough charm to prevent people just sitting there shaking their heads in disbelief. Trust me.”
It begins with the beautifully named Harriet Chetwode-Talbot (Emily Blunt) approaching Dr Alfred “Fred” Jones (Ewan McGregor), a government fisheries expert, with a proposal for constructing a river in the Yemeni desert and transporting 10,000 wild salmon from British rivers so her client, the Sheikh (Amr Waked), can fish. Fred naturally ridicules the idea, but, under pressure from the Prime Minister and his dogged press secretary (Kristin Scott Thomas), both desperate for a feel-good story from the Middle East, he agrees to meet Harriet and discuss the project. Before he knows it, everything is in motion and he begins to chase after the impossible.
It sounds like it should have been a political satire, like the novel by Paul Torday it was based on. It does have satirical undertones, but they are far too tame to be taken seriously. The war in Afghanistan is treated soberly, but nothing else comes close to being a target – Anglo-Middle Eastern relations, the Prime Minister’s shameless PR efforts and even terrorist attacks are only ever lighthearted asides or superficial plot developments. Kristin Scott Thomas gives a vibrant and engaging performance, but her character is just a glamorised Malcolm Tucker, without the depth of character or genuine sense of being under pressure.
Lasse Hallström clearly opts against making a satire, instead using the story as a vehicle for the kind of feel-good film he is known for (The Cider House Rules, Chocolat). Quite what there is to feel good about in an oil-rich Sheikh’s decadent vanity project is not immediately clear, though Hallström extracts as much as is humanly possible from the grand folly of it all. The main point of interest is the relationship between Fred and Harriet, which has the effect of transforming the salmon project into an overly figurative backdrop. McGregor and Blunt have enough chemistry to make it work, and you would probably end up rooting for them if there was even the slightest hint they might not end up together.
The one area the film does succeed in is the comedy, which draws plenty of laughs all the way through. It is very British in character, exploiting Fred’s reserve, eccentricity and awkward attempts at telling jokes. There are some excellent lines and very funny moments, which makes it a shame that the rest of the film does not support it.
Aside from humour, Salmon Fishing in the Yemen offers little, and the elaborate project it is built around seems wasted. It takes you from London to Scotland to the Yemen but, while this offers aesthetic variety, you get the feeling that the essential story could just as easily have taken place in a New York office. The plot is clumsy, with too many arbitrary developments and emotional twists, particularly towards the end. It tries to be stupidly charming but ends up more charmingly stupid, and only that because the leads are able to inject some comic life into a film which was always likely to fail.